| Bulayenko, O., Gervais, D.J., Poort, J., Quintais, J. AI Music Outputs: Challenges to the Copyright Legal Framework – Part II In: Kluwer Copyright Blog, 2022. @article{nokey,
title = {AI Music Outputs: Challenges to the Copyright Legal Framework \textendash Part II},
author = {Bulayenko, O. and Poort, J. and Quintais, J. and Gervais, D.J.},
url = {http://copyrightblog.kluweriplaw.com/2022/04/25/ai-music-outputs-challenges-to-the-copyright-legal-framework-part-ii/},
year = {2022},
date = {2022-05-02},
journal = {Kluwer Copyright Blog},
keywords = {},
pubstate = {published},
tppubtype = {article}
}
|
| Bulayenko, O., Gervais, D.J., Poort, J., Quintais, J. AI Music Outputs: Challenges to the Copyright Legal Framework – Part I In: Kluwer Copyright Blog, 2022. @article{nokey,
title = {AI Music Outputs: Challenges to the Copyright Legal Framework \textendash Part I},
author = {Bulayenko, O. and Quintais, J. and Poort, J. and Gervais, D.J.},
url = {http://copyrightblog.kluweriplaw.com/2022/04/22/ai-music-outputs-challenges-to-the-copyright-legal-framework-part-i/},
year = {2022},
date = {2022-04-22},
journal = {Kluwer Copyright Blog},
keywords = {},
pubstate = {published},
tppubtype = {article}
}
|
| Bulayenko, O., Gervais, D.J., Poort, J., Quintais, J. AI Music Outputs: Challenges to the Copyright Legal Framework 2022, (reCreating Europe report, D3.5). @techreport{nokey,
title = {AI Music Outputs: Challenges to the Copyright Legal Framework},
author = {Bulayenko, O. and Quintais, J. and Gervais, D.J. and Poort, J.},
url = {https://papers.ssrn.com/sol3/papers.cfm?abstract_id=4072806
https://www.ivir.nl/870626_d3-5-final-report-on-the-impact-of-ia-authorship_formatted-1/},
doi = {10.5281/zenodo.6405796},
year = {2022},
date = {2022-04-01},
urldate = {2022-04-07},
abstract = {This report examines the application of EU copyright and related rights law to outputs generated by or with the assistance of artificial intelligence (AI) systems, tools or techniques (AI outputs), with a focus on outputs in the musical domain. The Report examines the question: How can and should EU copyright and related rights law protect AI musical outputs? The interdisciplinary (legal and empirical) research involves: (i) analyzing of the protection of AI outputs under EU copyright and related rights law; (ii) examining the attribution of authorship and ownership to (natural and legal) persons involved in the creation or production of AI outputs; (iii) proposing interpretative guidelines and policy recommendations on increasing legal certainty regarding the protection, authorship, and ownership of copyright and related rights over AI outputs, especially music outputs.},
note = {reCreating Europe report, D3.5},
keywords = {},
pubstate = {published},
tppubtype = {techreport}
}
This report examines the application of EU copyright and related rights law to outputs generated by or with the assistance of artificial intelligence (AI) systems, tools or techniques (AI outputs), with a focus on outputs in the musical domain. The Report examines the question: How can and should EU copyright and related rights law protect AI musical outputs? The interdisciplinary (legal and empirical) research involves: (i) analyzing of the protection of AI outputs under EU copyright and related rights law; (ii) examining the attribution of authorship and ownership to (natural and legal) persons involved in the creation or production of AI outputs; (iii) proposing interpretative guidelines and policy recommendations on increasing legal certainty regarding the protection, authorship, and ownership of copyright and related rights over AI outputs, especially music outputs. |
| Bulayenko, O., and Handke, C., Peeters, R., Poort, J., Quintais, J., Regeczi, D., van Gompel, S. Study on emerging issues on collective licensing practices in the digital environment 2021, ISBN: 978-92-76-39981-0, (Study written by Ecorys, IViR and Erasmus University Rotterdam, commissioned by the European Commission.). @techreport{nokey,
title = {Study on emerging issues on collective licensing practices in the digital environment},
author = {Bulayenko, O. and van Gompel, S. and and Handke, C. and Peeters, R. and Poort, J. and Quintais, J. and Regeczi, D.},
url = {https://www.ivir.nl/publicaties/download/Study_on_collective_practices_in_the_digital_environment.pdf
https://digital-strategy.ec.europa.eu/en/library/reports-collective-management-and-extended-licensing},
doi = {10.2759/611658},
isbn = {978-92-76-39981-0},
year = {2021},
date = {2021-11-25},
abstract = {Collective management of copyright and related rights is an important element of the copyright system. First and foremost, it can ensure that rightholders reap greater rewards. By exploiting economies of scale and network effects, collective management can also make markets for copyright licences more efficient, to benefit users and other stakeholders. This study examines two central aspects of collective management of copyright and related rights in Europe.
Part I documents the development of multi-territorial licensing of online rights in musical works in the European Economic Area (EEA) under Title III of Directive 2014/26/EU on Collective management of copyright and related rights and multi-territorial licensing of rights in musical works for online use in the internal market (CRM Directive). It highlights the consequences of legal and regulatory reform, based on pervasive quantitative and qualitative data \textendash produced in surveys, interviews and a workshop with stakeholders \textendash and collected among collective management organisations (CMOs), rightholders, online music service providers, and national competent authorities.
Part II examines national mechanisms of collective licensing with an extended effect and comprehensive network of national experts, complemented by surveys of CMOs, as well as interviews with national competent authorities.
The present study provides a legal and economic analysis that can serve as input for the European Commission to draft the reports required by Article 40 of the CRM Directive and Article 12(6) of the Directive 2019/790/EU on copyright and related rights in the Digital Single Market (DSM Directive).
},
note = {Study written by Ecorys, IViR and Erasmus University Rotterdam, commissioned by the European Commission.},
keywords = {},
pubstate = {published},
tppubtype = {techreport}
}
Collective management of copyright and related rights is an important element of the copyright system. First and foremost, it can ensure that rightholders reap greater rewards. By exploiting economies of scale and network effects, collective management can also make markets for copyright licences more efficient, to benefit users and other stakeholders. This study examines two central aspects of collective management of copyright and related rights in Europe.
Part I documents the development of multi-territorial licensing of online rights in musical works in the European Economic Area (EEA) under Title III of Directive 2014/26/EU on Collective management of copyright and related rights and multi-territorial licensing of rights in musical works for online use in the internal market (CRM Directive). It highlights the consequences of legal and regulatory reform, based on pervasive quantitative and qualitative data – produced in surveys, interviews and a workshop with stakeholders – and collected among collective management organisations (CMOs), rightholders, online music service providers, and national competent authorities.
Part II examines national mechanisms of collective licensing with an extended effect and comprehensive network of national experts, complemented by surveys of CMOs, as well as interviews with national competent authorities.
The present study provides a legal and economic analysis that can serve as input for the European Commission to draft the reports required by Article 40 of the CRM Directive and Article 12(6) of the Directive 2019/790/EU on copyright and related rights in the Digital Single Market (DSM Directive).
|
Dr. Oleksandr Bulayenko is a Researcher and Education & Scientific Coordinator at the Centre for International Intellectual Property Studies (CEIPI), University of Strasbourg, France, where he is, notably, responsible for the coordination of activities of the European Intellectual Property Institutes Network (EIPIN), including the EIPIN Innovation Society, first European Joint Doctorate in Intellectual Property Law and Innovation, supported by EU Horizon 2020 programme. Dr. Bulayenko is responsible for the organisation of the CEIPI/WIPO/INPI Advanced Training Course on Intellectual Property, Technology Transfer and Licensing. His main areas of interest include copyright and related rights, collective rights management and online licensing, mass-digitisation projects, competition law, and artificial intelligence (with a specific focus on machine learning through text and data mining techniques). Dr. Bulayenko defended a thesis titled: “Ensuring Remuneration and Access to Culture in the EU Single Market: Construction of Multi-Territorial Collective Management of Copyright”. He acted as an external expert on copyright law for different organisations, including the Legal Affairs Committee (JURI) of the European Parliament, for the IP Key EU-China project (EUIPO/European Commission) and for the European Audiovisual Observatory (EAO). He joined the team of IViR as an associate staff member, notably, to carry out the Study on emerging issues on collective licensing practices in the digital environment, commissioned by the European Commission.