HERA – Of Authorship and Originality (OOR)

OOR is a multi-disciplinary collaboration of IViR (University of Amsterdam, The Netherlands), Infomedia (University of Bergen, Norway) and the Centre for Intellectual Property and Information Law (University of Cambridge, United Kingdom). The project queries how insights from literary theory, music studies, film/visual studies and other Humanities’ disciplines can help articulate copyright norms that enable sustainable creative practices in the digital environment. Our focus is on two interrelated, key concepts in copyright law: the author and the work, which are addressed in three interrelated projects.

At the University of Bergen, prof. Jostein Gripsrud is principal investigator of the project ‘Authorship in Collective Arts’, with post-doc Dr. Erlend Lavik as researcher. In Cambridge, prof. Lionel Bently is principal investigator for the project ‘Multiplicity of Authors’, in which Dr Laura Biron and Dr Elena Cooper take part as post-doctoral researcher. Van Eechoud is overall project lead and principal investigator for the project ‘The Work as Creative Expression”, on which Dr. Stef van Gompel is post-doctoral researcher.

The individual projects:

Authorship in Collective Arts
Department of Information Science and Media Studies (Infomedia)
University of Bergen
Prof. Jostein Gripsrud, principal investigator
Dr. Erlend Lavik, post-doc researcher

This project’s theoretical challenge lies in finding a way to modify the traditional Romanticist notion of authorship that still inform today’s copyright laws, particularly in view of the characteristics of collaborative production of artworks in different media and genres, without giving up on the idea that creators or authors of such works must retain a right to certain forms of control of the subsequent use of their works. In collaboration with our partners in the field of law, we wish to identify ways in which a renewed understanding could and should impact on the making and the interpretation of copyright law. While exploring theoretical contributions in several disciplines, our empirical focus will be creative processes in audiovisual production and popular music. Both cultural forms are heavily dependent on digital technologies and are thoroughly marked by collaborative forms of production. The Bergen project will study these two media and genres using well-proven ethnographic methodologies (participant observation and semi-structured interviews).

Multiplicity of Authors
Centre for Intellectual Property and Information Law (CIPIL)
Faculty of Law, University of Cambridge
Prof. Lionel Bently, principal investigator
Dr. Laura Biron, post-doc researcher
Dr. Elena Cooper, post-doc researcher

At present, by and large, national rules on authorship and copyright ownership are still based on the author as an individual autonomous agent operating in isolation. Within the overall theme of the research proposal on creative collaboration in the digital environment and copyright’s response to facilitate such creative expression (or rather lack of it), the project by CIPIL will focus on problems of multiple authorship. Central in this stream are the relations between contributors: how roles are perceived within creative communities, and the status that copyright law attaches to the various roles, notably the allocation of authorial control both as regards economic rights and immaterial interests (the ’moral rights’ of the author). Drawing upon the authorship theories explored in the initial phase of the CRP, and incorporating the results of the case studies by the Infomedia, the CIPIL project will re-evaluate notions of co-authorship and develop approaches that are conducive to collaborative creative production.

The Work as Creative Expression
Institute for Information Law (IViR)
Faculty of Law, University of Amsterdam
Dr. Mireille van Eechoud, principal investigator and overall project leader
Stef van Gompel, post-doc researcher
Prof. dr. Bernt Hugenholtz, advisor

This project queries the continued viability of the ’original work of authorship’ as a legal object. From an economic perspective, the delineation of copyright subject-matter is ofcourse necessary in order to make it a marketable entity. Copyright law thus has a natural tendency to view creative expression as a ’thing’, to which rights are attached. At the same time, the law in many jurisdictions now seems to have evolved to the point where ’original’ and ’creative’ seem to be synonymous terms, both meaning little more than ’not directly copied’ or ’resulting from a modicum of freedom of choice’. In this stream the focus is on insights humanities scholarship can provide to critically rethink the concept of ‘work of authorship’. We are particularly interested in how it may inform a copyright policy that better facilitates the needs of creators to engage with existing works and materials without having to seek prior authorisation. Such a rethink also needs to consider the current harmonised right of reproduction, which is essentially a very broad technical concept, lacking normative meaning. We are also particularly interested in how copyright theory can better recognise art forms and practices where the creative value is in the processes as much (or even more so) as in the final product or artefact.

Publications

Biron, L.; Cooper, E.

Authorship, Aesthetics and the Artworld: Reforming Copyright's Joint Authorship Doctrine Journal Article

In: Law and Philosophy, no. 1, pp. 55-85., 2016.

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Cooper, E.

Joint authorship and copyright in comparative perspective: the emergence of divergence in the UK and USA Journal Article

In: Journal of the Copyright Society of the USA, vol. 62, no. 2, pp. 245-276, 2015.

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Cooper, E.

Copyright and mass social authorship: a case study of the making of the Oxford English dictionary Journal Article

In: Social and Legal Studies, vol. 24, no. 4, pp. 509-530, 2015.

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Lavik, E.

Romantic authorship in copyright law and the uses of aesthetics Book Chapter

In: pp. 45-94, 2014, (Chapter in: The Work of Authorship, M.M.M. van Eechoud (ed.), Amsterdam: AUP 2014, ISBN 9789089646354. ).

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Biron, L.

Creative work and communicative norms: Perspectives from legal philosophy Book Chapter

In: pp. 19-44, 2014, (Chapter in: The Work of Authorship, M.M.M. van Eechoud (ed.), Amsterdam: AUP 2014, ISBN 9789089646354. ).

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van Eechoud, M.

Voices near and far: Introduction Book Chapter

In: 2014, (Chapter in: The Work of Authorship, M.M.M. van Eechoud (ed.), Amsterdam: AUP 2014, p. 7-17. ISBN 9789089646354.).

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van Eechoud, M.

Adapting the work Book Chapter

In: pp. 145-174, 2014, (Chapter in: The Work of Authorship, M.M.M. van Eechoud (ed.), Amsterdam: AUP 2014, ISBN 9789089646354. ).

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van Gompel, S.

Creativity, autonomy and personal touch: A critical appraisal of the CJEU's originality test for copyright Book Chapter

In: pp. 95-143, 2014, (Chapter in: The Work of Authorship, M.M.M. van Eechoud (ed.), Amsterdam: AUP 2014, ISBN 9789089646354. ).

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Cooper, E.

Reassessing the challenge of the digital: An empirical perspective on authorship and copyright Book Chapter

In: pp. 175-214, 2014, (Chapter in: The Work of Authorship, M.M.M. van Eechoud (ed.), Amsterdam: AUP 2014, ISBN 9789089646354. ).

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Bently, L.; Biron, L.

Discontinuities between legal conceptions of authorship and social practices: What, if anything, is to be done? Book Chapter

In: pp. 237-276, 2014, (Chapter in: The Work of Authorship, M.M.M. van Eechoud (ed.), Amsterdam: AUP 2014, ISBN 9789089646354. ).

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Gripsrud, J.

Creativity and the sense of collective ownership in theatre and popular music Book Chapter

In: pp. 215-236, 2014, (Chapter in: The Work of Authorship, M.M.M. van Eechoud (ed.), Amsterdam: AUP 2014, ISBN 9789089646354. ).

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Biron, L.; Bently, L.

The author strikes back: Mutating authorship in the expanded universe Book Chapter

In: pp. 29-51, 2014, (Chapter in: Law and Creativity in the Age of the Entertainment Frachise, Bowrey, K. & Handler, M., eds., Cambridge University Press, 2014, ISBN: 9781107039896.).

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van Eechoud, M.

The Work of Authorship Book

Amsterdam University Press, 2014, ISBN: 9789089646354.

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van Gompel, S.; Lavik, E.

On the prospects of raising the originality requirement in copyright law: Perspectives from the Humanities Journal Article

In: Journal of the Copyright Society of the USA, vol. 60, no. 3, pp. 387-443, 2013.

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van Gompel, S.; Lavik, E.

Quality, merit, aesthetics and purpose: An inquiry into EU copyright law's eschewal of other criteria than originality Journal Article

In: RIDA, no. 236, pp. 100-295, 2013.

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van Gompel, S. J.

The Orphan Works Chimera and How to Defeat It: A View From Across the Atlantic Journal Article

In: Berkeley Technology Law Journal, no. 3, pp. 1347-1378., 2013.

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van Eechoud, M.

Government Works Book Chapter

In: pp. 141-175, 2012, ISBN: 9789086920372, (Chapter in: A century of Dutch copyright law: auteurswet 1912-2012, Hugenholtz, P.B., Quaedvlieg, A. & Visser, D., eds., 2012.).

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Biron, L.

Public reason, communication and intellectual property Book Chapter

In: pp. 225-260, 2012, (Chapter in: New Frontiers in the Philosophy of Intellectual Property, Lever, A. ed., Cambridge University Press, 2012.).

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van Eechoud, M. M. M.

Along the Road to Uniformity - Diverse Readings of the Court of Justice Judgments on Copyright Work Journal Article

In: JIPITEC, no. 1, pp. 60-80, 2012.

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van Gompel, S. J.

Het richtlijnvoorstel verweesde werken: Een kritische beschouwing Journal Article

In: AMI, no. 6, pp. 205-218, 2012.

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van Eechoud, M.; van Gompel, S.; Guibault, L.; van der Sloot, B.; Hugenholtz, P.

Report of the Netherlands for ALAI 2011 Study Days (Dublin) Technical Report

2011.

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